The opening sequences that our group made was based upon the forms and conventions of the stereotypical Japanese psychological horror. Our opening sequence has no ideologically destabilizing forms or conventions. Our product has a female protagonist to which is a convention of our chosen genre. One of the openings which had a female protagonist was the original Grudge film made in Japan. In this opening the introduction to the protagonist was very similar to ours.
Our plot is based upon these convention, we based in upon the idea of using Ouija Boards and how the protagonist is possessed by a spirit. In the 1950 the craze of using Ouija Board was at its highest, mainly in teenagers as it was a 'trendy' and rebellious thing to do at parties. From our research we pieced together several key trends in what happened when using one, and recreated these for our plot, and showing what the consequence of playing with the spirit world could lead to.
We used the main convention of having a young female lead to have the most screen time, this was due to females are generally seen to be weaker than men and vulnerable character, therefore me made the killer unknown until the very end, to which it was a male. This is a convention of our chosen genre several examples where this is true to real films; Paranormal Activity ( Peli,2007) and The Ring ( Verbinski,2002)


We only used a few props through our opening scene as we had a small budget, so our main props which we used in the first primary shots was the Ouija board which was hand made and the glass. This gave a naturalistic atmosphere to our opening as they were just everyday materials. Another key prop was the coat which hid the camera in the ending shot, this was effect and one of our best shots.

With our Mise-en-scene we used a house as our set, this is a true to a real film in which we studied as most of them were set in household environment. In the bedroom we placed a few socks and props around the room to show a stereotypical teenage bedroom being messy. The choice in Mise-en-scene we had was either a house or woods, we chose a house as lighting and sound was of a better quality and the shots we could use were a lot better than those of the ones we shot outside.

The name of a film did not appear until the end as we wanted to create suspense and on edge, the font we used was similar to that of the Ouija board and we called it Gateway as a Ouija board is what's known as the door to the spirit world. We left it until the end as we wanted it to cover over the new reporter voice.
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